In cel animation, the frames are traditionally hand drawn on
transparent acetate sheets and placed over static painted backgrounds and then
photographed one by one. Nowadays, the use of cels is almost obsolete, drawings
are now scanned in to computers and placed on computer generated backgrounds
and digitally transferred to film. Cel animation is more commonly known as
traditional animation and even though some things have changed character animator’s
work has remained essentially the same over the last seventy years. Animations
today that have been created using the tradigital techniques still retain the
looks of the original cel animations which i feel is a tribute to early
animators.
Cel animation was used in many of Walt Disney’s films, such
as in 1937 in Snow White and the Seven Dwarves. It was the release of the Lion
King in 1994 that saw a major development in Disneys Cel animation as they
moved more in computer generated animation. There is a major scene in the Lion
King where there is a wildebeest stampede and animators duplicated each animal
instead of hand drawing each one. Toy Story was perhaps the biggest turning
point for Disney as it was the first fully computer generated animation
released. From this point all Disney animations became completely computer
generated until 2009 when Disney released the Princess and the Frog. The
Princess and the Frog was created using some more traditional techniques, the
characters were hand drawn and was a tribute again to early animation.
I have found two interesting pdfs on the texture mapping
used in cel animation and also multiperspective panoramas for cel animation. The
links are below,
I will also be using inspiration from the original Disney animations in my final animation. I will be using some basic principles of Cel animation. I will be using computer software to create my cel animation effect. I will produce my animated character by rotoscoping over a piece of live footage using Flash and this layer will then be brought in to After Effects. I will then create two different backgrounds, one for the close up shots, one for the long shots. These will be on separate layers also and brought in to After Effects. All layers will then be composited together and separate effects will be added to make my final animation appear more like a silent film. I will be creating two backgrounds as the background doesn't change in my animation therefore it will be unnecessary to draw it in every frame!
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