The production of Steamboat Willie took place between July and September
1928 with an estimated budget of $4,986.There was initially some doubt among the animators that a sound
cartoon would appear believable enough, so before a soundtrack was produced,
Disney arranged for a screening of the film to a test audience with live sound
to accompany it. This screening took place on July 29 with Steamboat Willie only partly finished. The audience sat
in a room adjoining Walt's office. Roy placed the movie projector outdoors and
the film was projected through a window so that the sound of the projector
would not interfere with the live sound. Ub Iwerks set
up a bed sheet behind the movie screen behind which he placed a microphone
connected to speakers where the audience would sit. The live sound was produced
from behind the bed sheet. Wilfred
Jackson played the
music on a mouth
organ, Ub Iwerks banged on pots and pans for the percussion segment,
Johnny Cannon provided sound effects with various devices including slide
whistles and spittoons for bells. Walt himself provided what little dialogue there was to
the film, mostly grunts, laughs, and squawks. After several practices, they
were ready for the audience which consisted of Disney employees and their
wives.
The response of the audience was
extremely positive, and it gave Walt the confidence to move forward and
complete the film. He said later in recalling this first viewing, "The
effect on our little audience was nothing less than electric. They responded
almost instinctively to this union of sound and motion. I thought they were
kidding me. So they put me in the audience and ran the action again. It was
terrible, but it was wonderful! And it was something new!" Iwerks said,
"I've never been so thrilled in my life. Nothing since has ever equaled
it."
Walt traveled to New York City to
hire a company to produce the sound system. He eventually settled on Pat Powers's Cinephone system,
created by Powers using an updated version of Lee De
Forest's Phonofilm system
without giving De Forest any credit, a decision he would later regret.
The music in the final soundtrack
was performed by the Green Brothers Novelty Band and was conducted by Carl
Edouarde. The brothers Joe and Lew Green from the band also assisted in
timing the music to the film. The first attempt to synchronize the recording
with the film was a disaster. Disney had to sell his Moon
roadster in order
to finance a second recording. This was a success with the addition of a filmed bouncing
ball to keep
the tempo.
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